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Raku: A small love song
In the center of the picture, a young Asian woman squats on top of an abandoned or dirty squat toilet in an extremely open and eye-catching posture. Her body is facing the camera, and her eyes penetrate the picture directly, with a complex emotion of innocence, obedience, or provocation. She wears a bright yellow fisherman's hat, and her thick black bangs are exposed under the brim of the hat, almost completely covering her full forehead. Two strands of long hair fall from behind her ears, and together with the hair under the brim of the hat, they outline her soft facial lines. Her eyes are big and round, with black pupils, deep pupils, and slightly upturned tails, as if they were misted by water vapor, making her look pitiful. Under the thin eyebrows, the eyelids are slightly red, as if she has not applied makeup, or has just experienced some kind of emotional baptism. The small nose is upturned and the tip of the nose is slightly red. The lips are full and natural light pink, slightly open, revealing a little bit of moisture inside, and the posture of wanting to say something but not saying it adds a bit of temptation. Her figure is petite and plump, especially in this squatting position, the flesh of her thighs and buttocks is squeezed out, and it looks firm and elastic. On the upper body, she wears a sky blue long-sleeved shirt with a wide white Peter Pan collar. However, this shirt is not worn properly, the buttons on the chest are completely open, and even deliberately pulled to the sides, exposing her pair of plump breasts completely. The breasts are round and full, the skin is white and delicate, and the nipples are clearly visible, dark pink brown, slightly erect, and the surrounding areola is moderate in size and slightly lighter in color than the nipples. What is even more exciting is that her chest and torso are tightly wrapped with bright red ropes in the Japanese bondage (Shibari) style. The ropes cross between the breasts to form a complex geometric pattern, which both binds and sets off the curves of the breasts. The end of the rope is not simply tied, but extends downward to her genitals. Because she has taken an extremely deep squatting position with her legs wide open, her entire genitals are unreservedly displayed in front of the camera. Her labia are turned outward, showing a deep pink color, full and moist, without a single pubic hair (white tiger). Shockingly, a bright red rope with a small golden bead on the end is inserted deep into her vagina, leaving only a small section of the rope and the bead outside, close to her clitoral area. This rope seems to be the same rope as the ropes tied to her upper body, suggesting a thorough bondage and play from head to toe. Her left hand gently holds a white recorder, the flute has a slender body, the flute holes are clearly visible, and the tail of the flute is against the inside of her voluptuous left thigh. The right hand is not very clear, and it seems to be holding the thigh to keep balance. Her feet are wearing black loafers and white lace socks, which echo the overall school style. The squat toilet she is squatting on looks shabby, with stains and cracks on the surface, and withered grass and dirt scattered around the edges. The ground around the squat toilet is mottled blue-green, also stained with dust and dirt, and a yellow and white abandoned can is casually discarded on the ground on the right. The background is a gray-white wall with mottled walls and obvious horizontal seams. A light bulb switch with a white pull cord is hung on the top. The whole scene is filled with a decadent, private and slightly taboo atmosphere, which forms a strong contrast with her pure and bold image, creating a visual impact that is both primitive and modern.