Lam Yan

Chinese Models
Chinese Models: Lam Yan
Lam Yan
Chinese Models
14
2
Nana, real name: Lin Xin, English name: Lam Yan, an early body model in the Mainland, was active from 2005 to 2012, with a petite figure, exquisite facial features, and a standard southern temperament beauty. She was very popular on the Internet at that time. The well-known domestic body photography agency [Litu 100] has shot some works, and has also taken large-scale erotic sets for the famous overseas pornographic agency [AsiaNude4U] (A4U). There are also some large-scale private photography agencies on the Internet The set of pictures and the behind-the-scenes video of the shooting flowed out. It is worth mentioning that there are two AV drama short films that Nana has filmed on the Internet, namely "Boundless Spring in the Small Clinic" and "Nana's Meat Pays the Fat Landlord for Rent", although there is no real knife in the short film The close-up shots of real guns may be taken on borrowed positions, but they are indeed early pioneers who dared to try AV shooting.
Video work(s): 2
AI on Her (3)
The picture is frozen in a moment full of primitive tension and artistic atmosphere. Two Asians, a man and a woman, are covered in wet mud and are working together to create pottery under dim and dramatic lighting. The air is filled with smoke or water vapor, adding a layer of mystery and haziness to the whole scene. In the foreground of the picture, a young Asian woman, with a graceful figure, is concentrating on her creation. She has a delicate oval face, and her skin looks even whiter against the mud. Her black bangs cover her forehead neatly, and her long dark hair is pulled back and she wears a glimmering golden headband. Her eyes are dark and bright, and her long and curled eyelashes are clearly defined, and the eyeliner outlines the charming almond eyes. The small nose is straight, the lips are slightly parted, revealing a row of white teeth, and the corners of her mouth are raised with a confident and slightly cunning smile, looking up, as if communicating with people or enjoying the fun of this moment. Her petite body is evenly covered by a thick, wet layer of light grey mud, which flows along the curves of her body and drips onto her skin, forming a mottled texture of varying depths. The mud clings to her skin, clearly outlining her curvy body lines. Her full breasts appear more rounded and upright under the mud. Although the nipple of the left breast (right side of the picture) is covered by mud, its slightly raised outline is still clearly discernible, showing its original vitality. The flat abdomen, tight thighs and round buttocks are all smeared with mud, with only a few places showing smooth skin. The wetness of the mud and the touch of the skin seem to be transmitted through the picture. Her lower body is casually wrapped with only a piece of bright red cloth, which is soaked in mud and clings to the buttocks and the base of the thighs, which is both obstructed and looming, boldly showing the curves of the body. She is wearing a pair of high-heeled shoes stained by mud, with delicate chains or decorations wrapped around the uppers and heels, adding a touch of modern fashion to this primitive feeling. She is slightly bent and half-squatting, with her arms stretched forward. Her hands gently and forcefully stroke the clay being formed on the pottery turntable. The friction between her fingertips and the mud seems to make a rustling sound. Her face is filled with a smile of enjoyment and concentration, and her eyes are full of passion for artistic creation. In the back of the picture, a calm Asian man, also covered in mud, works with the woman as her partner or instructor. He has a slightly round face and short hair combed back. His eyes are slightly closed or drooped, his eyes are focused on the pottery pot, his expression is focused and calm, and there seems to be a satisfied smile on the corner of his mouth. His upper body is also covered with mud, but the mud is unevenly distributed, forming a mottled pattern, revealing part of his strong chest muscles and arms. A red cloth belt is tied around his waist, echoing the red cloth of the woman. His hands are also covering the pottery pot, working closely with the woman's hands to shape it together, showing a tacit cooperation. The two bodies are closely attached, with their hands overlapped on the clay embryo, completing the pottery creation together. This intimate collaborative posture, coupled with the wet mud on their bodies, creates a primitive and vital sensory experience. The woman's smile and the man's concentration together depict a harmonious and tense picture. The whole scene is shrouded in a deep dark background, with only a few spotlights accurately projected on the characters and the pottery turntable, making the luster of the mud and the outline of the body more prominent. On the pottery turntable, a tall clay embryo is gradually taking shape, with a smooth and wet surface. The ground is covered with a red carpet with a golden decorative strip on the edge, adding a touch of stage effect. The diffuse smoke or steam blurs the background, making the characters seem to be in a surreal creative space. This is not just a pottery performance, but also a deep fusion of body and clay, art and senses. Mud, as a medium, blurs the boundary between clothing and skin, vividly displaying the original physical beauty and creative passion of human beings, bringing strong visual impact and sensory shock.
A public body photography event